Okay so the movie is a must watch for sure. It’s RECOMMENDED
especially for those who love to laugh. Cocktail follows the basic Bollywood
genre-geometry of a love triangle. The good part about this one, unlike most
love triangles, is that the three protagonists get to know who loves who pretty
early in the picture and the revelation isn't stretched till the climax.
Cocktail, basically, is the same prose with new grammar.
So the story is about a compulsive flirt Gautam (Saif Ali
Khan) who gets into a no-strings-attached relationship with the hot-n-happening
Veronica (Deepika Padukone). Girl-next-door Meera (Diana Penty) is literally
the girl Gautam takes home to his mother (Dimple Kapadia) to cover-up his
live-in relationship with Veronica. Until by interval point his heart starts
fluttering for Meera. And the rest as they say is 'history'.
The characterizations are basically been-there-seen-that.
The guy is commitment-phobic until he meets his match and realizes what 'true
love' is. The firang female has a frivolous attitude until she realizes she,
too, is vulnerable to feelings. The realisation dawns upon her that she too has
a soft corner. The introvert desi dame isn't aware of her own beauty until the
boy makes her realize it. Further she goes in the let-go-love-for-friend mode.
The one thing that I personally loved about the movie is its
songs and their timings. Anil Mehta's cinematography is picture perfect.
Pritam's music is peppy and some new voices add freshness to the soundtrack.
From honey singh to coke studio, nothing was left out. The dialogues are
another thing I cannot stop appreciating. I loved the originality of dialogues.
They were just so perfect and catchy.
The narrative never tries too hard to build the chemistry
between the characters. Like Veronica gets a random stranger Meera home and
they become the best of buddies. Or Gautam and Veronica just hit if off in two
scenes. So do Gautam and Meera subsequently, and if it wasn't for the kiss at
interval point, one wouldn't know cupid has cross-connected. Further Meera's
sudden truce with her past love (Randeep Hooda) in the pre-climax seems
half-baked. Yet, at the expense of conviction, what you don't mind is that the
story keeps moving ahead without expending too much time on the obvious and
inescapable elements of a love story.
The 2 hours and 27 minutes of the movie is worthwhile.
Nowhere does the viewer feel that the story is dragging. One tends to move with
the flow.
The pacing drops in the second half, and one gets more
impatient with predictability seeping into the plot. Evidently you know which
girl would win in the end but you lose out to the protracted proceedings. In
fact when the hero extensively proposes the heroine in the last scene you
cannot stop yourself from indulging in laughter yet your eyes are filled with
tears.
The first half was hilarious while during the second half I
was actually laughing with tears in my eyes. The movie is typical in its story
but the way of presentation is what makes it unique.
Despite all its conventionalism and inconsistencies, what
still keeps you connected to the movie is its attitude to never take itself too
seriously. The humour is inherent and scenes like Saif's first encounter with
Deepika or Dimple Kapadia's artificial respiration to Deepika are hilarious.
From the cast, Deepika Padukone comes with the most
impressive performance and is exceptionally good in the drunken scene where the
happy-go-lucky Veronica shows her vulnerable side. And while she remains
absolutely natural in her act, she looks stunningly sexy too. Saif Ali Khan is
in his comfort zone in this romantic comedy and effortlessly charms girls (both
on and off screen). Diana Penty comes with the requisite rawness that her
character demands and is quite decent in her debut act. The minimalism in her
looks often reminds of Giselle Monteiro's character from Love Aaj Kal. Dimple
Kapadia comes as a pleasant change to the Punjabi-mom prototype in Bollywood
and is quite likeable. Boman Irani does well in his short role. The talented Randeep
Hooda gets no scope in his three-scene two-bit role.
Seriously, some good friends are too good to be shared!
To sum up, this one is old Cocktail in new bottle!